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Track 1: Caritas Meditation *
Track 2: Caritas Prayer *
Track 3: The Caring Moment© *
Track 4: Music Medition: Letting Yourself Be Loved© *
* To download, open link in Safari and hit Option+Enter
Tracks 1 & 2 co-produced 2008 by Jean Watson and Gary Malkin; Watson Caring Science Institute and Wisdom of the World; music composed & arranged by Gary Malkin; assisted by Dan Alvarez Musaic Studios, Berkeley, California. www.musaic.biz; www.wisdomoftheworld.com; www.watsoncaringscience.org.
Track 3 with permission from Care for the Journey. www.careforthejourney.net; www.companionarts.org.
Track 4 with permission from Graceful Passages: A Companion For Living and Dying. www.wisdomoftheworld.com.
We are offering free resources for teachers who are suddenly teaching online and want to cover COVID-19 with their students. In the video, Dr. Kitta discusses the differences between gossip, rumor, urban legend, and conspiracies theories, then relates all of these folklore genres to the COVID-19 outbreak. This update contextualizes the work previously done in the book and gives a starting point for discussion about COVID-19 that can be used independently or in conjunction with the text. You can download an open access copy of The Kiss of Death: Contagion, Contamination, and Folklore. Chapter 2 specifically will align nicely with the use of the video.
Download the PDF in the 'Download Attachments" section below.
To accompany Early Holistic Scoring of Writing, the authors have created two versions of a bibliography of early publications on holistic essay scoring in the UK and the US. Both versions are part of the WPA/CompPile Research Bibliographies.
One version annotates 22 research studies and 10 early handbooks—a selection of works especially influential in the years up to and including 1985. That version is found in PDF form here.
The second version is unabridged, an ongoing bibliography covering the same time period. This bibliography currently annotates over 1,000 entries. That version is found here.
Select Advanced Search for Annotations Is 27:
This map represents the Japanese / Japanese American population distribution in Manhattan, according to the 1930 US Census, and selected ethnic Japanese–owned businesses that were operating in Manhattan in 1930 (or, where noted, were established later in the decade). For ease of reference, the Census data has been placed on a 2017 street map. Each purple data point (circle) represents one or more persons of Japanese ethnicity. The green data points represent specific locations of key businesses and social institutions in the New York Japanese community as well as general locations of neighborhood districts in Manhattan and in parts of Brooklyn, Queens, and the Bronx.
(To download a high-resolution file of this map, please see the Download Attachments section at the bottom of the page.)
These appendices may be downloaded and used or modified for teaching or research purposes with attribution.
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Dr. Andrew Gulliford teaches The Last stand of the Pack in his HIST 181 Environmental History course at Fort Lewis College. Here you can access his supplementary materials to use in your own courses:
Educators with questions or concerns can contact Dr. Gulliford at .
To download high-resolution files of these images, please see the Download Attachments section below.
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Our Holy Mother (Ty’añ Lak Ch’ujul Ña’), Ausencio Cruz Guzmán
Older Brother Sun and Younger Brother Sun (K’iñ ’Askuñälbä y K’iñ ’Ijtz’iñälbä), Marcos Arcos Mendoza
The Celestial Bird (Ty’añ Jiñi Tyaty Muty), Ausencio Cruz Guzmán
Our Grandfather (Ty’añ Lak Mam), Ausencio Cruz Guzmán
Our Grandfather (Spanish retelling), Ausencio Cruz Guzmán
The Cave of Don Juan (Ty’añ Jiñi Yotyoty Don Juan), Ausencio Cruz Guzmán
A Visit to Don Juan (Una Visita a Don Juan), Mariano Mayo Jiménez with Ausencio Cruz Guzmán
The Messengers (Ty’añ Jiñi X’ak’juñ), Ausencio Cruz Guzmán
The Blackman (Ty’añ Jiñi Xñek), Bernardo Pérez Martínez
The Comadre (Ty’añ Jini Komare), Rafael López Vázquez
Back to Conquered Conquistadors
Lienzo de Quauhquechollan. Photograph by Bob Schalkwijk (2001). Courtesy of the Museo Casa del Alfeñique, Puebla, Mexico.
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Excerpts from The Laughing Spiders, by Phillip Tuwaletstiwa and Judy Tuwaletstiwa
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The Players
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The Docudrama (2011), by Mrs. Mary Praetzellis with the assistance of Dr. Adrian Praetzellis
Mud Fights: A Play in One Act, Two Scenes by Jim Gibb and directed by Terry Averill
Cast and Crew
Terry Averill (Director, Producer) is an architect in Annapolis but a regular contributor to local theater, directing, acting in, and designing productions throughout the area over the last fifteen years. Terry regularly appeared as John Brown at the National Museum of American History 2011–14 in The Trial of John Brown. His last acting in Annapolis was in the Colonial Players Theater’s Superior Donuts, for which he received a WATCH nomination for best lead actor in a play.
Ben Carr (James Beard) has performed at Colonial Players Theater in Annapolis as Kiril Ivakina in Superior Donuts, Donny in Rocket Man, Biff Loman in Death of a Salesman, Michael Wells in Two Rooms, Tom Donahue in These Shining Lives, and Hertel Daggett in Dog Logic. He has also performed at Standing O Productions in Retreat from Moscow and Tracers and at Dignity Players in Stones in His Pocket.
Jim Gibb (Playwright) has spared the world by staying off the stage. Raised by parents who thought regular theater attendance might somehow improve character and literacy, Jim has never aspired to be an actor, director, stage crew, or playwright. But one day he was asked by the development officer of a historic site on which he was leading an archaeological team to write a Halloween play. He responded as any longtime consultant would: with a shrug and a “why not?” He has since explored the potential for writing informed fiction to aid research.
Theresa Mason Riffle (Sound Engineer/Designer) is a musician, singer, songwriter, and music instructor. She has designed sound for a number of Washington, DC, area community theater plays. In 2015, she won a WATCH award for her sound design for the play Coyote on a Fence.
Tim Sayles (John Semple) is a freelance writer, editor, and magazine consultant in Annapolis, Maryland,where he served for eighteen years as editor in chief of Chesapeake Bay Magazine. In his spare time, he is a busy voice and stage actor, as well as marketing director for the Colonial Players of Annapolis, one of the Washington area’s oldest and best-known community theaters. Tim has on-stage experience in a variety of UK and American dialects, including RP British, Cockney, Irish, Scottish, Chicago, New York, and Texas, as well as German, Russian, and eastern European accents. On stage he has played everything from the Romanian bad guy of Lillian Hellman’s Watch on the Rhine to the dancing, singing Daddy Warbucks of the musical Annie.
David Thompson (John Hanson) has performed in the Annapolis area for the past fifteen years. He most recently played the role of Lt. Col. Nathan Jessup in the WATCH nominated A Few Good Men at Colonial Players Theater, where he has also played the title role in Pippin, Utterson in Jekyll & Hyde, Booth in Assassins, and Einstein in Picasso at the Lapin Agile. Other credits include the title role in Sweeney Todd, David in the American Premiere of Terrance Rattigan’s After the Dance, Panch in The 25th Annual Putnam County Spelling Bee, and Molokov in Chess. He has also sung locally with the Annapolis Chorale and Chamber Chorus as well as the Chesapeake Chorale.
Paul Valleau (Archaeologist) moved to the great state of Maryland two years ago and has never looked back. Paul’s theatrical experience began in 2009 in Des Moines, Iowa. He has performed as Leo Bloom in The Producers, Robert in Don’t Dress for Dinner, Kent Reasons in To Be Pretty, and numerous other roles while living in Des Moines. Just before moving to Maryland he was invited to perform at a corporate stag show in Dubai, UAE. Since moving to Maryland, Paul has performed with the Colonial Players of Annapolis twice: as Leo in In the Next Room and as Lt. Kaffee in A Few Good Men. Performance is only one direction of many to clarity, each time we perform, we become clear, we become bright.
Video
The Eddy Model of Intercultural Experience helps academic writing faculty guide students toward critical, open-minded, and disciplined writing with multiple perspectives to the questions, problems, obscurities, debates, and dissonances of college study. The Eddy Chart provides an overview of the Eddy Model of Intercultural Experience and maps academic composing processes.
Back to Exploring Desert Stone
Facsimile of the 1864 Map of Explorations and Surveys in New Mexico and Utah made under the direction of the Secretary of War by Capt. J. N. Macomb, Topographical Engineers, assisted by C. H. Dimmock, C. Engineer, by Friedrich W. von Egloffstein. 1864.
Special thanks to The National Trails–Intermountain Region of the National Park Service for funding the development of this map.
Pilgrimage to Broken Mountain, Table X.2. The elements conjoined. Drawing by Ana Laura Ávila-Myers.
The chart presents the graphic communication system of el costumbre as expressed in the headdress-and-body design elements of a collection of paper cuttings produced for a major pilgrimage by a master Nahua ritual specialist, Encarnación (Cirilo) Téllez Hernández. View online here, or download a high resolution PDF.
